Heroic & Fairy-tale
Story Structures

 

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Heroic & Fairy-Tale
Story Structures

Bite that Cock!


Note - These Plot Structures are best used in ADDITION to a Character Arc

~ The Heroic Mythic Story Structure ~

Act One - Chosen

Humble Beginnings
Destiny Comes Knocking
Shoved into Adventure
Sagely Advice ~
Paramours & Sidekicks

Act Two - Challenge

Leaving the Known World behind
Challenges, Friends & Foes
Dragon at the Crossroads

Act Three - Crisis

Into the Labyrinth
Temptation
& Betrayal
Anger ~ Despair ~ Sacrifice
Inheritance / Blessing / Curse
Treasure & Celebration

Act Four - Climax

Escape / Expelled from the Labyrinth
The Hunter becomes the Hunted
Rescue & Loss of Paramour / Side-kick
Dragon at the Crossroads to Home
Death / ReBirth
Delivery of Treasure & Just Rewards

Additional Reading:

Mythology in Story Plotting

Joseph Campbell & His Mythic Cycle


The Four Act Structure

Vogler's Book - The Writer's Journey - only covers HALF of the heroic structure.
BELOW is Campbell's map of the ENTIRE Heroic Cycle -- from Birth to Death.

Campbell's Heroic Cycle

~ The Fairy-Tale Story Structure ~

Once Upon a Time:
1. An impossible Oath/Promise
2. Attacked /Abandoned - Lost
3. Suspicious Rescue - Captured!
4. Promise is partially broken
5. An important secret revealed
6. Deception / Betrayal / Debt

Into The Wilderness
7. Quest / Escape into an Evil land
8. Troubles & Battles
9. Saves/ Saved by -- a Stranger
10. A dubious Gift/Secret (Hero's trademark)
11. An Impossible Task - Refused
12. Unexpected Destruction /Emotional Loss
-- Leaving no choice but Impossible Task

Evil's Lair
13. Arrival at Evil Stronghold
14. Traps & Tests
15. The Villain Enraged - Dire Consequences
16. Promise Kept - scarred/marked/changed
17. Impossible task completed
18. Greater threat revealed

Confrontation
19. Daring Escape / Rescue
20. Pursued & Cornered
21. Climactic Confrontation
22. Hero uses gift (Hero's trademark)
23. Demise of Villain / Evil Land
24. Celebration

Homecoming - The Unrecognized Hero
1. Unfounded claims to hero's accomplishments
2. Challenge & Confrontation
3. Hero uses gift (Hero's trademark)
4. Villain is exposed & punished
5. Hero gains new rank/appearance
6. Two possible futures -
Villain's wealth/position Vs. Heart's desire

Looks a lot like the Mythic Structure doesn't it?
It should.

Fairy Tales are in fact old pagan myths that were adjusted to suit cultural changes.

Interestingly enough, only the really old tales in their original forms, (not doctored to make them suitable for children,) follow the entire pattern:

The Goose Girl
Donkeyskin
East of the Sun-West of the Moon
Grimms' Snow White
Jack & the Beanstalk
Vasalisa the Wise
Mother Holle
The Wild Swans

The modern (and modernized,) tales skip whole sections.

Food for Thought
A number of the Grimms' shorter tales only follow One section, maybe Two, of this structure, but whatever section they follow, they follow it completely. It's as though some of the stories were gutted, and others cut into pieces to make shorter stories. If this is so, then some of those stories actually belong together -- but which ones?

Before you go linking tales together -- keep in mind that what is acceptable as Heroic behavior, also known as Moral Values, changes as soon as you cross borders, demographical and political. Heroines battling bad-guys to save the day may be perfectly acceptable in one country - and totally wrong in another, so all of a sudden, the poor little milk-maid of one tale, becomes a poor little cow-herd of another. In other words, what looks like it may belong, may not - and what looks like it bears no relation may in fact be the missing piece.

The only guide available on what may belong together is the root mythology for that culture. Case in point: The British fairy tale The Wild Swans is in fact a retelling of the Irish/Celtic myth: The Children of Lyr, and Shakespear's King Lear is an even more modern retelling of the same Myth!

Additional Reading:

Sur LaLune - Annotated Fairy Tales



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